What Else Is There?: Thoreau

"...[O]n his return from one of his Maine journeys, he told the story at great length (though it was already written in his note-book) with the important details, not only to his family, but to his friends, with the utmost alacrity and pleasure, yet as if he were discharging a sacred duty, then wrote it out carefully in his Journal, and next as carefully corrected it for its issue to the public. This is indeed a rare talent. Most of us, if we have experiences, do not know how to describe them; or if we do, do not interest ourselves enough in them to give them forth for the benefit of others. He did this, and so well and so universally, that it must be conceded to him as a special felicity. Things made a deep and ineffaceable impression on his mind. He had no trace of that want of memory which besets some amiable beings. Yet as I have said, he was reticent; so he was, remarkably in certain ways. I can mention that he never or rarely spoke to me of the Indians; never alluded to his collections on the subject; and, in all the years (about twenty) that I knew him intimately, maintained a profound silence on that (to him) altogether engrossing topic. But there was little bound to his usual communicativeness.

Connected with this was his skill in asking questions, a natural talent, long cultivated. Sometimes, where the matter was important, he carried with him a string of leading questions, carefully written, which he had the ability to get as skilfully answered, though, if there was a theory to maintain, with a possible overlapping to his side of the argument. Ever on the search for knowledge, he lived to get in formation; and as I am so far like Alfieri that I have almost no curiosity, I once said to him how surprised I was at the persistence of this trait in him. "What else is there in life?" was his reply.

What Else Is There?: Catch-22

“Do you know how long a year takes when it's going away?' Dunbar repeated to Clevinger. 'This long.' He snapped his fingers. 'A second ago you were stepping into college with your lungs full of fresh air. Today you're an old man.'

'Old?' asked Clevinger with surprise. 'What are you talking about?'

'Old.'

'I'm not old.'

'You're inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow down?' Dunbar was almost angry when he finished.

'Well, maybe it is true,' Clevinger conceded unwillingly in a subdued tone. 'Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?'

'I do,' Dunbar told him.

'Why?' Clevinger asked.

'What else is there?”

Isn't there? (Brave New World)

"My dear young friend," said Mustapha Mond, "civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. Where there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended-there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving any one too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. Now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your mortality about in a bottle. Christianity without tears-that's what soma is."

"But the tears are necessary. Don't you remember what Othello said? 'If after every tempest came such calms, may the winds blow till they have wakened death.' There's a story one of the old Indians used to tell us, about the Girl of Mataski. The young men who wanted to marry her had to do a morning's hoeing in her garden. It seemed easy; but there were flies and mosquitoes, magic ones. Most of the young men simply couldn't stand the biting and stinging. But the one that could-he got the girl."

"Charming! But in civilized countries," said the Controller, "you can have girls without hoeing for them, and there aren't any flies or mosquitoes to sting you. We got rid of them all centuries ago."

The Savage nodded, frowning. "You got rid of them. Yes, that's just like you. Getting rid of everything unpleasant instead of learning to put up with it. Whether 'tis better in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles and by opposing end them ... But you don't do either. Neither suffer nor oppose. You just abolish the slings and arrows. It's too easy."

He was suddenly silent, thinking of his mother. In her room on the thirty-seventh floor, Linda had floated in a sea of singing lights and perfumed caresses-floated away, out of space, out of time, out of the prison of her memories, her habits, her aged and bloated body. And Tomakin, ex-Director of Hatcheries and Conditioning, Tomakin was still on holiday-on holiday from humiliation and pain, in a world where he could not hear those words, that derisive laughter, could not see that hideous face, feel those moist and flabby arms round his neck, in a beautiful world ...

"What you need," the Savage went on, "is something with tears for a change. Nothing costs enough here."

("Twelve and a half million dollars," Henry Foster had protested when the Savage told him that. "Twelve and a half million-that's what the new Conditioning Centre cost. Not a cent less.")
"Exposing what is mortal and unsure to all that fortune, death and danger dare, even for an eggshell. Isn't there something in that?" he asked, looking up at Mustapha Mond. "Quite apart from God-though of course God would be a reason for it. Isn't there something in living dangerously?"